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Exhibitions

Current

Image credit: Collection of the National Bonsai & Penjing Museum at the U.S. National Arboretum in Washington, D.C. Photo credit: Stephen Voss.

Nature's Readymades

January 23鈥揂pril 6, 2025

The Question: "Is there art in nature?"

Nature's Readymades presents an extraordinary selection聽of gongshi (scholars鈥� rocks or viewing stones) drawn from the National Bonsai & Penjing Museum in Washington, D.C. Carved by nature and relished by Chinese literati as early as the Tang dynasty (7th c.), these paradoxical objects are worlds in miniature, presenting the vital energy of the universe in a hardened, static form.聽Not sculpted in the conventional sense, they predate Marcel Duchamp鈥檚 readymades by more than a millennium, and in many ways pose an even greater challenge to long-held definitions of art: they are unauthored and typically undated, yet have long been understood and appreciated in artistic terms. Government officials steeped in poetry, literature, and art displayed them prominently in their studios, alongside brush and ink paintings.

In addition, the exhibition includes contributions from a range of scholars鈥攁 geologist, a novelist, an observational painter, two poets, a political scientist, a religious studies professor, and a sculptor鈥攚ho each offer thoughts on a rock or stone in their personal possession. The participants include artist Ellen Altfest, who has spent the last eight months looking at and making a painting of a rock, and Ugo Rondinone, whose sculpture has been inspired, in part, by gongshi.

鈥淎 core question the show asks is, 鈥業s there art in nature?鈥� A related question is if there can be art without artists. Can we adopt an aesthetic attitude to objects in the world that are extra-artistic?鈥�

Co-curated with Shelly Bancroft. Research support by Anita Therese Kent (AGI26) and Faith Chang (A25)

Events for this exhibition can be found on the Mitchell Art Museum home page

Upcoming

Thinking in the Long Term: Publications by Glenstone

May 2鈥揂ugust 15, 2025 at the Greenfield Library

The Question: "What is the lifetime of an artwork?"

A selection of recent art monographs published by Glenstone, a private contemporary art museum in Potomac, Maryland.

Recent

Theatre of Turmoil

September 14鈥揇ecember 8, 2024

The Question: "Do we live in extraordinary times?"

The history of art is filled with images of chaos and turmoil. Some鈥攐f famous battles or revolutions鈥攃ommemorate real events. Others depict mythic stories by Homer and others handed down through the centuries. Still others visualize the more troubling aspects of daily life, such as fatal accidents or domestic violence.

This exhibition of reproductions from the Baroque to the present鈥攆eaturing Gentileschi, G茅ricault, Goya, and many others鈥攊s intended to stimulate conversation on the role of such images in art, how these artworks reflect the anxieties of life, and the pyscho-emotional impacts both have on us. We've also included a few images of damaged cultural artifacts from antiquity. These are to remind us that artworks not only depict violence and abuse but are also subject to it, and the inscription of their interactions with the world changes the way we see them.

Why reproductions? The use of copies鈥攑rints, plaster casts, paintings鈥攆or study in educational and museum settings has a long history. Copies provided ready access to great artworks that were otherwise unavailable. The widespread development of high-quality photomechanical technology in the mid-20th century largely put an end to this practice. A museum without walls emerged in the form of printed art books.

"I would like to write a book which would drive men mad, which would be like an open door leading them where they would never have consented to go, in short, a door that opens onto reality."

鈥擜ntonin Artaud

Co-curated with Shelly Bancroft; Co-designed with Bohl Architects, Annapolis/Hudson, NY; Audio installation by Zachary Konick, Annapolis; Research support by Hanna Glick (A24); Material support by Rick & Jenny Nelson; Additional support by Laura Ricciardelli and Dave Watt

Two Art Books: Louise Bourgeois and Fischli/Weiss

April 19鈥揝eptember 8, 2024

Lillian Vanous Nutt Room, Greenfield Library, 蘑菇视频下载软件.

The Question: "What is it to be human?"

This exhibition presents two small, zine-like art books, each featuring a single body of work. Though different in temperament and focus, both ask fundamental questions about the meaning of life and our place in the social or natural order.

Les Fleurs (The Flowers) includes reproductions of 28 gouache paintings created by the French-American artist Louise Bourgeois in 2009鈥�10, a year before she died at the age of 97. Flowers typically symbolize growth, fecundity, and rejuvenation. Here the flat, silhouetted images鈥攍aid out in a regulated sequence鈥攃all to mind leafy specimens pressed under glass gathered for future study. In structure, they also evoke human anatomy; in hue and translucency, the paint looks like fresh blood. Bourgeois herself has verbally made this connection between the natural world and the human body, saying, 鈥淚t seems rather evident to me that our own body is a figuration that appears in Mother Earth.鈥�

Ordnung and Reinlichkeit (Order and Cleanliness) by the Swiss artist duo Fischli/Weiss, contains 15 black and white drawings by the artists from 1981. (The zine on view here is from 2016.) As if extracted from a corporate report颅颅 or a textbook, each drawing is labeled as a figure (fig. no. 1, etc.), supporting a text that is nowhere to be found. The diagrams tackle such topics as the will to power, love, anxiety, and the constitution of an organism. One of them intertwines big timeless questions (e.g., 鈥淚s the galaxy still growing?鈥�) with small ones (鈥淚s the bus still running?鈥�). The tone seems earnest but the small scale and humorous insertions suggest otherwise. Fischli/Weiss are poking fun at the high expectations we have of them.

Some Light Reading (A Summer Exhibition)

May 4鈥揓uly 7, 2024

The Question: "What is the quality of our light?"

In this exhibition, artworks by five artists and poetic texts by four writers address the magical, life-making qualities of light. Referenced here are the sun and moon, the stars, an oil lamp, and an electric chandelier. But visual art and literature can be sources of illumination as well. The writer and activist Audre Lorde, writing about 鈥減oetry as illumination,鈥� once noted that, 鈥淭he quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives.鈥� The artists and writers include Vija Celmins, Emily Dickinson, Rockne Krebs, Audre Lorde, Virgil Marti, Eileen Myles, Eileen Neff, and Virginia Woolf, and Bahar Y眉r眉ko臒lu.

Librer铆a Donceles: A Project by Pablo Helguera

September 30, 2023鈥擜pril 21, 2024

The Question: "Can art be bound?"

This exhibition, which takes the form of a used bookstore, crammed鈥痺ith鈥痑 world鈥檚 worth of鈥疭panish-language titles. Artist Pablo Helguera created鈥疞ibrer铆a鈥疍onceles鈥痠n Brooklyn 10 years ago to serve the growing Hispanic and Latinx communities in New York.鈥疭ince then, the bookstore has traveled to more than a dozen cities, becoming鈥痑 vibrant hub of activity in each.

On December 8-9, 2023, /m brought together the founding artist, arts educators, and musicians for a 10th-anniversary celebration. The weekend included two workshops, a panel discussion, a performance, and a traditional Mexican Posada.

Artist travel supported, in part, by the Mexican Cultural Institute, Washington, DC. Presented in partnership with OHLA (Organization of Hispanics/Latin Americans of Anne-Arundel County).

Polly Apfelbaum: Sampling a Sampler Sampling

January 20鈥揂pril 21, 2024

The Question: "Why do we look down on art?"

A critique of judgment is at the core of New York-based artist Polly Apfelbaum鈥檚 work, which comprises textiles, and, as of late, ceramics. At /m, she is creating a new installation of unaltered, commercially produced fabrics laid out in a grid on the floor.

The installation is an evolution of her well-known 鈥渇allen paintings,鈥� which are in the collection of the Museum of Modern Art and the National Museum of Women in the Arts. Experiencing 鈥淪ampling a Sampler Sampling,鈥� we are forced to look down, literally, on artwork that encompasses design, craft, and traditional women鈥檚 work. Any superiority one feels, however, is quickly undermined when we realize that the single artwork, light as it is, asserts a claim to the entire gallery while we, the viewers, stand with our backs against the wall. The installation poses several questions, among them, 鈥淲hat is order?鈥� 鈥淲hat is originality?鈥� 鈥淲hat are the bases of our judgments?鈥� and 鈥淲hat do we look down on?鈥�

Image credit: Courtesy Electronic Arts Intermix (EAI), New York.

The Speed of Time: Film/Video Art in the U.S., 1965鈥�80

October 14鈥揇ecember 10, 2023

The Question: "Is our time fixed?"

Including art by Vito Acconci, Eleanor Antin, Barbara Hammer, Gary Hill, Joan Jonas, Gordon Matta-Clark, and Nam June Paik

In the 1960s, happenings, minimalism, and performance art introduced the concept of time into contemporary art. But it wasn鈥檛 until artists started experimenting with technology, using such tools as computers, Kodak Super 8 cameras, and Sony Portapak video cameras, that time was inscribed as a new dimension in visual art, appearing in lieu of inches on museum labels. This exhibition unites pioneering work by seven artists who experimented with the elastic, symbolic, emotional, and social aspects of this ever-elusive subject, while probing the new art鈥檚 changing expectations of the viewer.

Jos茅 Guadalupe Posada: Legendary Mexican Printmaker

July 21鈥揙ctober 1, 2023

The Question: "Do you have to be serious to be taken seriously?"

An extraordinary collection of work by the artist who Mexican muralist Diego Rivera deemed the 鈥済uerrilla fighter of the broadsheets.鈥� The exhibition asked, 鈥淒oes one have to be serious to be taken seriously?

Curated in consultation with artist and educator Pablo Helguera.

Love by Looking: Selections from the Alitash Kebede Collection of African American Art

April 9鈥揓uly 5, 2023

The Question: "What is the cultural value of friendship?"

Forty paintings, drawings, sculptures, and prints from the collection of pioneering Los-Angeles-based art dealer, including works by Charles Alston, Romare Bearden, Mark Bradford, Elizabeth Catlett, Sam Gilliam, Jacob Lawrence, and Betye Saar. Kebede befriended almost all the artists in her collection in an effort to create a Black collector base for Black artists. Among other questions, the exhibition asked, 鈥淲hat is the political efficacy of friendship?鈥�

Co-curated with Bentley Brown.

The Open Museum

February 17鈥揗arch 26, 2023

The Question: "What is a museum?"

We reopened after a three-year closure by inviting the public into an otherwise empty museum and asking them to make their mark directly on the clean, white walls. Over the course of five weeks, a cacophony of doodles, diagrams, drawings, and texts filled the space, resulting in an extended portrait of the Mitchell Art Museum鈥檚 community.鈥疶he exhibition was the analog denouement of Pontus Hult茅n鈥檚 concept of the Open Museum and asked, 鈥淲hat is a museum?鈥�

Past Exhibitions & Lectures

Browse the archive of past exhibitions, or watch recorded presentations from the Mitchell Art Museum.